Balk On The Wild Side
The Jet Stream according to
Fairuza Balk
When Fairuza Balk comes to town, she crashes on the couches of people
she barely knows. Or rather, she crashes on the couches of good friends
that she's only known for a few hours. She meets them. She takes them
in. They take her in. What that says is that Fairuza Balk is incredibly
open. It's the first thing you notice about her...well, the first thing
you sense, after you've noticed her. What you notice right away is her
eyes. I meet Fairuza in the breakfast place. She says that she's very
tired. She was up half the night watching "Ciao Manhattan" on
a friends VCR. Ciao Manhattan is a strange art film about Edie Sedgewick,
the Warhol acolyte. "It's got her running around with no shirt on
because she got breast implants when they first started doing them, so
they're rock hard and perfectly round and she's constantly taking her
shirt off to show this work of art that she thinks she's got on her
chest." Everyone within earshot is laughing. "Anything that
sounds too uncouth," Fairuza whispers, "...don't put it in
there. I can't do interviews and bullshit. No one wants to here that
anyway." In a way, Fairuza stands for a perception of the world
that we all want but, perhaps out of fear of getting burned, we are all
to cynical to enjoy. Nonetheless, when you're around her, you enjoy it.
You let yourself go a bit. You partake in what only be described as
openness child-like in a way, but buffered by the ability to make
incredibly un-PC jokes. In other words, the whole thing is like holding
hands before dinner and saying grace and for once really believing in
it. It's that with a caution. Openness is both an asset and an Achilles
Heel. Fairuza lives in British Columbia. It's remote. It's out of touch
with the jet stream. Like her. It's just that she's also caught in the
tractor beam of her talent and that takes her into the jet stream. She's
got a life style that you could call virtual glamour, virtual wealth.
She flies from New York to LA with hardly any cash in her wallet. She's
all leather and earrings. Her eyes are huge and blue. They show the
leather up.When Fairuza Balk was nine she played Dorothy in Walt
Disney's Return to Oz.That can do a lot to you. You're in Oz at nine.
And even though it's make believe, it's not. Which is not to say that
she's another childhood star victim, etc. She's not a star. She wasn't a
star. A star is something that you gaze upon. She's since appeared in
such TV movies as "Shame", playing a small town rape victim,
and "Starkweather-Murder In the Heartland", opposite Tim Roth.
Her feature films include Milos Forman's "Valmont", and Alison
Ander's acclaimed film about coming of age in a trailer park,
"Gas-Food-Lodging", for which she won the Independent Spirit
Award for Best Actress. She's recently completed work on two new
features, "Imaginary Crimes," with Harvey Keitel and
"Tollbooth," with Seymour Cassell and Lenny Von Dohlen due out
this fall. Some actors affect you with their ability to command a
character. Fairuza seems lost in her characters-like her ability to be
them is contingent on her ability to forget herself. Or rather, its
contingent on her ability to remember that she doesn't know herself,
that this character maybe could be her. She believes it's her. So do
you. It's the 'could be' that makes her different. Fairuza's bacon turns
up and goes great with the outfit. She cracks a smile that is part Girl
Scout, part vampire.
WHERE DOES THE NAME FAIRUZA COME FROM?
It's Arabic. My father plays Middle Eastern music and flamenco.
The name means turquoise and when I was born my eyes were very, very
blue.
DO YOU WORK OUT?
I work out on the couch with my coffee and my remote control.
LET'S TALK ABOUT THE STUFF AROUND YOUR NECK. WHAT DOES THE
KEY GO TO?
The key goes to the couch I'm staying on.
DO YOU STAY ON A LOT OF COUCHES WHEN YOU'RE AWAY FROM HOME?
That's how I live. My theory on staying on couches is it's like
fish that hasn't been put in the freezer, it's good for about three
days.
WHAT ABOUT THE NECKLACE?
It's for protection. It's a Middle Eastern thing.
WHERE DID THE DOG COLLAR COME FROM?
A pet store.
AND YOUR TATTOOS?
(Pointing) L.A., Vancouver, Texas, Oklahoma, L.A., Miami. My
fly's stuck. I didn't have a butt last week, honest. I was like,
"I'm going to get nice and skinny and I'm going to look pretty like
all those other girls" and then three days ago, it's like in the
face, just eating everything.
(THE STYLIST BEGINS CUTTING FAIRUZA'S HAIR)
Free haircuts, yeah. My hair is terrible. I had to shave my
head last month because I accidentally set in on fire. I was cooking and
I don't know how it happened. If I plaster it down I look like a Romulan.
It's not long enough to be a Vulcan.
DID YOU EVER GET MADE FUN OF WHEN YOU WERE A KID?
Yeah. People thought I was funny-looking because my eyes were
to big for my head. I had huge eyes and a huge mouth and a tiny little
head. They said I looked like a cow and a fly.
LOOKS LIKE YOU GREW INTO THEM.
I guess. People still call me a cow on occasion but it's in a
different context.
WHO DID YOU WANT TO BE ON THREE'S COMPANY, CHRISSY OR JANET?
I didn't want to be either of the girls. I wanted to be Larry
because he really knew how to swing. He was always with a babe, doing
something weird with his medallions and his shirts.
WHAT CHARACTER WOULD YOU MOST WANT TO BE?
You know who I want to be is Tank Girl. She's this cartoon
character with a mohawk and combat boots, and she drives tanks and
drinks generic beer and goes out with the Incredible Hulk. Emily Lloyd
was going to do it and she dropped out and they cast someone else. My
heart is breaking as we speak. I am the quintessential Tank Girl.
HAVE YOU BEEN STARSTRUCK RECENTLY?
No. I saw Julia Roberts once at Trader Joe's but she just
looked like anyone else. She was walking with her bag and her hair over
her face. And I'm kind of watching her and she looks up at me and looks
back down. I felt bad because she couldn't just be herself.
DO YOU GET RECOGNIZED MUCH?
No, and when I do, I never know what to say. When I went to
Orlando, you know how when you walk off the plane there's guys standing
there? One of them goes "Yo yo yo. Whas up? Whas up? Wait, hold on,
you're the girl from Arizona in the gas station or something," and
I'm like, Gas-Food-Lodging? And he goes, "It is her. It's that girl
from that movie in the desert. Damn!" And the porters come and move
my bags for free and I'm like, "Yeah, I'm the girl from
Arizona."
NO, BUT REALLY.
I was born in Point Reyes. There used to be this huge piece of
land with a mansion on it and a bunch of really cool people built houses
around it, like a communal thing, but not like the classic hippie
commune. My mom was a single mother and she went up to Vancouver to find
work and decided it would be better for me to live there. She wanted me
to see everything and be able to do everything. When I was nine I got
Return to Oz so I went to England and stayed in Europe until I was 14
living in London Paris, all over the place.
DO YOU THINK YOU GREW UP TOO FAST?
No, I think the faster you grow up, the more time you save
yourself. Young people are given so little credit for their
intelligence, especially children. I remember when I started working. I
knew what was going on. I knew when I was being worked way too many
hours and I'd sit there and be a good girl and do what I was told but I
took it all in, and people learned very quickly not to talk to me like a
child, because I wouldn't respond unless they talked to me as an equal.
I remember thinking, "Don't pat me on the head, you don't know I'm
about," and I was like 8. Kids are so in tune. They can read
people.
DID YOU EVER WISH YOU COULD JUST HANG OUT AND PLAY LIKE A
NORMAL KID?
No, because when I started working it was all a game anyway.
After about two years of working, my brain just went into adult mode and
I never missed playing. I didn't play. I read books. I went to museums.
I saw art films. I hung out with adults and that's who I enjoyed being
with. My mom did get a little worried and tried to put me in high
school. She dropped me into North America out of Paris living on my own.
She wanted me to make friends my own age and I had nothing to talk to
them about. I walked into the hall smoking with a coffee going
"What's going on here?" and they started yelling at me and I'm
dyslexic as well. I write sentences backwards when I'm not paying
attention and I can't multiply or divide and they told me I was stupid.
I was like, "No wonder everyone drops out."
IN THE NEW FILM, "IMAGINARY CRIMES," HARVEY KEITEL
PLAYS YOUR FATHER IN THE FILM. WHAT'S HE LIKE?
Harvey literally becomes another human being. My greatest fear
is that I'll play myself one day, that I'll watch myself and go, that's
me. I'd quit the industry and never act again.
DID YOU KNOW YOUR FATHER AT ALL?
I met him a few years ago. It's like "Hi, nice to meet
you. You're my dad." I love him but I don't know him. I have no
resentment. Its just he wasn't there and that's just the way it is. He
was busy and I understand. I mean, if I had a kid right now, and my
boyfriend met some other girl and took off, that's just the way it goes
and you're left with a child. That's just the way it was.
YOUR CHARACTER WRITES SHORT STORIES TO ESCAPE. DO YOU LIKE TO
WRITE?
I write like a maniac. I have this big black book that's
falling apart and I write a lot of music, songs, poetry. I draw in it.
I've had a lot of my writing published anonymously. My writing is very
dark and not something you'd expect to come out of me. I get in a mood,
and I just scrawl and it just pours out of my head. Later, I read it and
go, "God, what planet am I from?", but I think that's good.
TELL ME ABOUT YOUR OTHER NEW FILM, TOLLBOOTH.
It's a very twisted story. We called it "Apoca-Tollbooth
Now" because we were filming out in the jungle. We're in the
Florida Keys in hurricane season and there's massive cockroaches. They'd
fly into the lights and make noise and cast shadows all over the actors'
faces. You're doing a scene and in your peripheral vision, there'd be
grips running around with these massive nets. It was insane. The Florida
Keys are a very spooky, weird place, and the film, from what I hear, has
captured that. It's the kind of place where anyone can just call
themselves Captain Jack, buy a boat and disappear for good.
YOU HAVE A LOVE SCENE IN THE FILM. WHAT WAS THAT LIKE TO
SHOOT?
It's not expletive or anything, but it was kind of disturbing.
I had to hop in bed with the guy the same day I met him. It was like,
"Hi, My name's Fairuza. Let's doink in front of 70 people."
HOW OLD WERE YOU WHEN YOU HAD YOUR FIRST MAJOR CRUSH?
I was 13. The guy still writes me sometimes and sends me
photographs. He's a little scary. I think he's a vampire. I have this
knack; if I know that someone is dangerous and I shouldn't be with them,
then I'm like, "Hello," and inevitably I always get into so
much trouble.
WHAT'S THE ONE THING THAT YOU KNOW YOU SHOULDN'T DO BUT YOU
DO ANYWAY?
Wouldn't you like to know.